WHERE IS THE WOMAN IN THIS TEXT? FRANCES POWER COBBE'S VOICES IN BROKEN LIGHTS

Abstract

IN 1864 FRANCES POWER COBBE jumped into the still-churning waters of Essays and Reviews (1860) and Colenso's Pentateuch (1862) with a book that put the case against an infallible Revelation even more frankly than these men had liked or dared. Broken Lights, her main contribution to the mid-Victorian Bible wars, went through at least eight editions and, next to her Duties of Women (1881), was the “most successful” of her books (Life 2: 370). Identifying “Frances Power Cobbe” on the title page as the “Author of an ‘Essay on Intuitive Morals,’ ‘The Pursuits of Women,’ etc.,“ the material object in a stranger's hands left no doubt that here was a work by a woman who had written on likely female subjects. Yet the table of contents, which lays out a schema of Churchmen's positions on the Bible questions of the hour, yields no clue that a feminist advocate wrote this book. Even in perusing its discussions of high theological matters, most readers would not have suspected, as I will argue, that the analyses of these men's positions are colored by Cobbe's distinctive “woman's perspective” (Caine 147), and that public and personal gender issues are being negotiated through its modes of discourse and argument.