Abstract

Abstract According to some ḥadīths, the art of writing Arabic in the pre-Islamic Hijaz was learned from the city of al-Ḥīra (the capital of the Lakhmid kingdom) in southern Iraq, whilst al-Ḥīra in turn learned writing from the city of al-Anbār in central Iraq. Based on a combined isnād-cum-matn analysis, form-critical analysis, and geographical analysis of these ḥadīths, the earliest iteration of this material can be dated back to the middle of the eighth century ce (i.e., the early second century ah) in Kufa, but no earlier. A further historical-critical analysis also exposes the broader cultural and ideological tendencies at play behind the creation and elaboration of this material, including salvation history, a ‘great man’ theory of history, and—above all—the creation and elaboration of an Iraq-focused Arabian folk history in eighth-century ce Iraq. This small set of reports thus exemplifies the rich potential of ḥadīth in general as both a tool and an object of historical analysis: by applying my combined approach to ḥadīth, we can trace the creation, transmission, and elaboration of the material; we can locate its geographical origins; and we can identify the broader context that ultimately produced it.

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