When wasn't modernism? Reflections on the stone age

Abstract

ABSTRACT In The Politics of Modernism, Raymond Williams pointed out that as a category for understanding the new, modernism was thoroughly ideological. This article addresses the problem of modernism's exclusivity and the ways in which it associates the new, and by extension the present, with certain qualities and privileges as well as with coloniality in general. Building on recent expansions of modernism by Susan Stanford Friedman and David Damrosch as well as on a general turn against historicism in the literary humanities, it suggests the value to reading modernism in relation to prehistory. Thinking in terms of the memory of things, the persistence of landscapes and materials, offers a way in which we can arrive at an untimely conception of modernism: a conception that is meaningful and useful beyond the limited scope of conventional constructions of the field. In illustrating this argument, the essay discusses the Maryhill Monument as well as the sculptural work of Barbara Hepworth, Henry Moore, Kurt Schwitters, Carl Andre, and Thomas Hirschhorn. The essay concludes with a consideration of Williams's awareness of the revisionary potentials of prehistory in relation to modernism in his last, unfinished, novel, People of the Black Mountains.