‘Time becomes memory, and memory becomes the ditch in which we drown’: rethinking modes of knowing the past in Ian McGuire’s The Abstainer (2020)

Abstract

ABSTRACT This article argues that historical novels play a crucial part in rethinking contemporary modes of knowing the past. Drawing on Achille Mbembe’s concept of necropolitics and Judith Butler’s thoughts on precarious life, this article elucidates the close relationship between modes of knowing the past and progressive politics in the present, crystallised in the political concept of grievability. National histories paint the picture of ‘a past without strangers’, in the terms of Achille Mbembe, creating narrow circles of grievability which do not challenge established solidarities and structures of political inequalities in the present. This article goes on to demonstrate that historical novels may subvert this nationalist fantasy through the portrayal of liminal characters in liminal spaces. Ian McGuire’s The Abstainer (2020), set in an intra-European colonial context, continually breaks the frame of what is considered a grievable life by criticising a mode of knowing the past that prioritises mourning the dead over caring for the needs of the living in the present. In conclusion, this article argues that The Abstainer ultimately proposes a radical and paradoxical mode of knowing the past: It urges us to recognise that commemoration of the dead may become an obsessions and justification for acts of violence, and encourages us to rethink not just what histories we tell, but also how we tell them.