Abstract

Previous articleNext article No AccessWhen Is a Woman Not a Woman? Or, Jacobean Fantasies of Female Performance (1606–1611)*Clare McManusClare McManusRoehampton University Search for more articles by this author Roehampton UniversityPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Modern Philology Volume 105, Number 3February 2008 Article DOIhttps://doi.org/10.1086/591257 Views: 76Total views on this site Citations: 9Citations are reported from Crossref © 2008 by The University of Chicago. All rights reserved.PDF download Crossref reports the following articles citing this article:Gary Waller The Female Baroque in Court and Country, (Apr 2020).https://doi.org/10.5117/9789463721431_ch05Marion Wynne-Davies A Portrait, a House, and a Masque: Elizabeth Cary, Interdisciplinarity, and Early Modern Female Identity, Early Modern Women: An Interdisciplinary Journal 14, no.22 (Jul 2021): 3–32.https://doi.org/10.1353/emw.2020.0031Sophie Chiari, John Mucciolo Performances at Court in the Age of Shakespeare, 9 (Oct 2019).https://doi.org/10.1017/9781108761543Wendy Hitchmough Queenship and the Currency of Arts Patronage as Propaganda at the Early Stuart Court, (May 2018): 139–149.https://doi.org/10.1007/978-3-319-75877-0_10Natasha Korda Women's Involvement in Theatrical Production, (May 2017): 282–295.https://doi.org/10.1002/9781118824016.ch21Susan Dunn-Hensley Witches and Queens: Queen Anna and Representations of Female Power, (Oct 2017): 45–74.https://doi.org/10.1007/978-3-319-63227-8_3Susan Dunn-Hensley Performing Power: Gender, Authority and Catholicism in Anna’s English Masques, (Oct 2017): 75–107.https://doi.org/10.1007/978-3-319-63227-8_4Natasha Korda Insubstantial pageants: Women's work and the (im)material culture of the early modern stage, Shakespeare 7, no.44 (Dec 2011): 413–431.https://doi.org/10.1080/17450918.2011.625442Peter Sillitoe Jacobean and Caroline Masquing Culture: Studies on Early Stuart Entertainments, 1998-2010, Literature Compass 8, no.44 (Apr 2011): 173–183.https://doi.org/10.1111/j.1741-4113.2011.00791.x

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