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Previous article FreeNotes on ContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreMatthew Ancell received his PhD from the University of California, Irvine, and is assistant professor of humanities and comparative literature at Brigham Young University. His interests include baroque literature and art, early modern skepticism, Montaigne, and deconstruction. His publications include articles on Góngora, Velázquez, and Derrida. Currently he is working on a study of art and theology in Calderón.Valerie Billing is a doctoral candidate and provost’s fellow in the English department at the University of California, Davis. She has published on Margaret Cavendish and collaborative authorship in the Journal for Early Modern Cultural Studies and is currently finishing a dissertation titled “Big Women, Small Men: The Erotics of Size in Early Modern Literature and Culture.”Michelle M. Dowd is associate professor of English and women’s and gender studies at the University of North Carolina, Greensboro. She is the author of Women’s Work in Early Modern English Literature and Culture (2009), which won the Sara A. Whaley Book Award from the National Women’s Studies Association. She is also the coeditor of Genre and Women’s Life Writing in Early Modern England (2007), Working Subjects in Early Modern English Drama (2011), and Early Modern Women on the Fall: An Anthology (2012), and her articles on early modern drama and women’s writing have appeared in journals such as Modern Philology, English Literary Renaissance, and Shakespeare Studies. She is currently completing a book on inheritance on the early modern English stage.Kent R. Lehnhof is associate professor of English at Chapman University, where he teaches courses on early modern literature and culture. His essays have appeared in several edited collections as well as in journals such as ELR, ELH, SEL, Modern Philology, Shakespeare Bulletin, Milton Quarterly, and Milton Studies. At present, he is editing a multiauthor volume on Levinas and Shakespeare and researching twinship in the Renaissance.Amy Rodgers is assistant professor of English at Mount Holyoke College, where she teaches courses in early modern literature and culture, film, and audience and popular culture studies. She has published essays on representations of Shakespeare’s audiences in film and contemporary fiction, early film and serial fiction, and is a codirector of the Shakespeare and Dance project. Previous article DetailsFiguresReferencesCited by Renaissance Drama Volume 42, Number 1Spring 2014 Article DOIhttps://doi.org/10.1086/675940 Views: 19 © 2014 Northwestern University. All rights reserved.PDF download Crossref reports no articles citing this article.

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