Notes on Contributors

Abstract

Previous article FreeNotes on ContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreDouglas Clark is a postdoctoral research assistant at the Université de Neuchâtel. His first book project, Performing the Will in English Renaissance Drama, determines the extent to which playwrights were preoccupied with exploring the destructive potential of the will (as both a faculty of the soul and a legal document). He is the author of forthcoming articles on John Donne’s testamentary verse for Studies in Philology, and transgressive acts of willing in Renaissance drama for Medieval and Renaissance Drama in England.Marjorie Garber is William R. Kenan Jr. Research Professor of English and of visual and environmental studies at Harvard University. She is the author of several books on Shakespeare, including Shakespeare’s Ghost Writers, Shakespeare After All, and Shakespeare in Modern Culture, and of books on cultural topics ranging from dogs and real estate to cross-dressing, bisexuality, the use and abuse of literature, and the place of the arts in academic life. Her most recent book is Character: The History of a Cultural Obsession (Farrar, Straus, & Giroux, 2020).Toria Johnson is a lecturer in early modern English Literature at the University of Birmingham (UK), and the author of Pity and Identity in the Age of Shakespeare (D. S. Brewer, 2021). Her recent publications attend to the intersection of law and emotion in early modern Europe, cultures of fear in Macbeth and Othello, and the impact of the Reformation on English understandings of compassion.Kent Lehnhof is a professor of English at Chapman University. He has published some two dozen articles on early modern literature and culture in such journals as Shakespeare Quarterly, Modern Philology, SEL, ELH, and ELR. He is also coeditor (along with Moshe Gold and Sandor Goodhart) of the essay collection Of Levinas and Shakespeare: “To See Another Thus” (Purdue University Press, 2018). He is currently working on a book-length study of vocality and ethics in Shakespeare’s late plays.Martin Moraw is an assistant professor of English and comparative literature at the American University in Cairo. He is currently completing his first book, Drama of Forms: Genre and Politics in the Time of Shakespeare, which argues that revenge tragedy, the history play, comedy, and romance give dramatic shape to the contradictions that animate the English political conjuncture of the early seventeenth century. Previous article DetailsFiguresReferencesCited by Renaissance Drama Volume 50, Number 1Spring 2022 Article DOIhttps://doi.org/10.1086/720378 © 2022 Northwestern University. All rights reserved.PDF download Crossref reports no articles citing this article.