“When I’m a Human Being”: race, bodies, and power in Disney’s adaptations of “The Frog King or Iron Henry”

Abstract

In the summer of 2020, Walt Disney Theme Parks announced plans to reimagine the popular attraction “Splash Mountain” in the theme of the 2009 feature-length animated film The Princess and the Frog. As only the third Disney feature-length animated film to showcase Black characters prominently, The Princess and the Frog seems perfectly poised to replace the Song of the South—critiqued for its romanticization of race relations after the American Civil War—in the Disney parks. In this adaptation of “Der Froschkönig oder der eiserne Heinrich” (“The Frog King or Iron Henry”), Walt Disney Animation Studios introduces its first Black princess. While a hardworking, self-starter princess of color is a step towards representation, the film’s portrayal of non-white characters reinforces a hierarchy of race and class which privileges the wealthy white characters while relegating characters of color to the bottom rungs of human society and into non-human bodies. This essay explores the intersection of gender, race, and class in Disney’s adaptations of the classic fairy tale “Der Froschkönig” from the Grimms’ 1812 variation and the plans to reimagine it for Disney theme parks. In conversation with adaptation studies, narrative theory, and feminist theories, this contribution interrogates the underlying messages of prejudice and -isms in The Princess and the Frog that reinforce twentieth- and twenty-first-century prejudices against people of color, women, and the working class, rendering the proposed update of the “Splash Mountain” attraction into a modernization of the problems already recognized in the current ride.