Abstract
The purpose of this text is to relate artistic research to the search for knowledge driven by Eros. It is necessary to focus on one way of researching -in the arts- to see if its objectives and its epistemological contributions are beyond the requirements of producing proven knowledge. The artistic process that is driven by amorousness could take its epistemological nuclei -the intuitions that are expressed on every artwork- and develop them conceptually on the surface itself of the work of art, resulting in a place that reunites intuitions and concepts to resume the integration of knowledge.
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