Abstract

This is an account of a discussion between Sita Balani, Amardeep Singh Dhillon, Gail Lewis and Adam Elliott-Cooper on Sita Balani's book, Deadly and Slick: Sexual Modernity and the Making of Race, offered as a means of sharing its insights and exchanges among a wider community of activists and organisers. The origin of the book was Sita's observation of two dynamics at play at the end of the 1990s and early 2000s. The first was the fracturing of British Asian identity in the early years of the 'War on Terror', as Muslim became a racialised category in and of itself. The second was the rapid rise in 'gay rights': until 2003, Section 28 had criminalised the teaching of homosexuality as a 'pretended family relationship'; in 2004, civil partnerships had been introduced. Sita recognised that the moving around of these categories of sexuality and race was not merely coincidental. To help understand this she has introduced the concept of 'sexual modernity', which also has two parts: the promise of self-realisation through the pursuit of romantic love, the nuclear family and sexual adventure, and then - what 'stalks' this possibility - all of the sexual conduct and sexual practice that is disavowed and excluded from this. The book charts the state's racial taxonomies alongside its mobilisation of categories of sexuality and gender, in both the historical colonial context and the contemporary imperial centre. Panellists discussed some of the contradictions of these developments. These included the inclusion of police officers in the Gay Pride parade; moral panics about - and violence against - asylum seekers and drag queens; the 'problem' of the Black boy being attributed to not-enough-patriarchy, while for South Asian Muslim women it is a question of too-much-patriarchy; in an historical context, sexual violence being the norm in Jamaica but a source of paranoia in the colony of India. Through showing us the field of battle and its character, Sita gives us a tool with which to help build aligned constituencies of opposition and vision

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