Abstract
AbstractThis article reviews research on modern British heroes (in particular Henry Havelock, Florence Nightingale, Amy Johnson and Robert Falcon Scott) to argue that heroes should be analysed as sites within which we can find evidence of the cultural beliefs, social practices, political structures and economic systems of the past. Much early work interpreted modern heroes as instruments of nationalist and imperialist ideologies, but instrumental interpretations have been superseded within the New Cultural History by broader analyses of the range of gendered meanings encoded in heroic reputations. Studies of heroic icons have generated important insights for historians of masculinity and femininity. More research, however, is needed on the reception rather than the representation of heroic icons, on visual and material sources, and on the changing forms and functions of national heroes after 1945.
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