Abstract
The first part of this article examines the construction of the history of the high politics of Late Stalinism by reviewing five episodes in the period c.1946 to 1953. I suggest that these episodes are usually narrated as examples of either ‘monolithic orthodoxy’ or ‘neo-pluralism’, and conclude that a third narrative structure could be added: ‘pressured elites’. The second part of the article analyses these three narratives as cultural artefacts, and avers that they depend for their effect on a variety of rhetorical and literary devices which tell us as much, if not more, about the construction of history as they do about the past. The article concludes with a consideration of how non-narrative histories of Late Stalinism might be imagined.
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