Pietistic atheism and the modern breakthrough: on the narrative culture of secularity

Abstract

ABSTRACT Secularity was first substantiated as a cultural practice constitutive of modernity in late-nineteenth-century fiction. The so-called Modern Breakthrough in Danish literature, taking place between 1871 and into the 1880s, is a prime case of a cultural radical movement that translated the modern criticism of religion into a literary and political program. Today, the Danish writer J. P. Jacobsen’s novel Niels Lyhne (1880) remains a classic of the atheistic literature of the period. Its portrayal of the psychological struggles involved in the transition from a tradition of faith to a modern secular society suggest it to be a core document of atheistic identity formation. To contemporaries, however, the psychology of the protagonist Niels Lyhne seemed fundamentally implausible, and his atheism overtly dramatic. By contextualising the literary work in its wider and highly contested narrative culture, this article discusses how narrative scripts first substantiated the modern religious vs secular distinction. In documenting the changing plausibility structures by which Jacobsen’s novel could become prescriptive of the emotional norms of a secular mind, the article explores how literary works shape cultural and emotional realities.