Abstract
ABSTRACT This article explores methods and approaches by which scholars can examine the representation of intelligence agencies in television drama, arguing that television can be productively separated from literature and film by virtue of its mass audience, its institutional character, and the form of the episodic series, which typically causes its narratives to hew towards the conservative and affirmative. This will be explored through and complicated by a case study of the career of television writer George Markstein and three series which he played a key role in creating and overseeing: The Prisoner, Special Branch and Mr Palfrey of Westminster.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
