Abstract

Chingiz Aitmatov has long been a powerful figure in Soviet literature, but few critics in the west or the Soviet Union have treated him as a serious writer. Many of the reasons why Aitmatov's reputation is not commensurate with his achievement are clear enough; the few westerners who have bothered with Aitmatov tend to agree that he offers "a somewhat new mix from the old patterns of Soviet literature with an admixture of Central Asian lore, but the game he is playing is as old as socialist realism itself.

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