Abstract

When Chingiz Aitmatov's Plakha first appeared in Novyi mir in 1986 many readers here were astounded at the uncanny ability of this established author to ride the wave of the future. This sensational novel, with its stark portrayal of the drug trade, exploitation of the environment, and social alienation in the Soviet Union, was seen by many as the ultimate expression of newfound creative freedoms under Mikhail Gorbachev. For all its seeming novelty, however, Aitmatov's venture into the area of exposé literature has not been an isolated incident. Plakha is only one of a number of recent Soviet novels that focus exclusively on the ills of contemporary Soviet society.The appearance of exposé literature under glasnost could be viewed simply as a direct effect of the loosening of controls under Gorbachev. Its emergence at this time, however, is actually the result of a whole complex of factors, only one political. Soviet literature has already dealt with such issues as the environment, impending nuclear catastrophe, and a disappearing national memory. These issues, in fact, form the thematic core of the trend of fantastic literature that immediately preceded glasnost and ushered in fundamental changes in Soviet literary discourse. This article is an attempt to examine four Soviet novels that appeared before the era of glasnost. My purpose is to elucidate the nature of the changes occurring in Soviet literature in the mid-1970s and early 1980s and the contribution of this literature to glasnost.

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