Abstract

A vast literature on queer of color critique, and increasingly on queer of color geographies, has shed greater light on how queer people of color negotiate racialized sexual economies. This paper considers how cultural geography, informed by psychoanalysis and queer of color critique, might contribute additional sophistication and critical insight to conversations about sexual racism – by not only decrying sexual racism, but by shedding light on racialized people's complex forms of psychical agency, as well as political agency, in relation to it. It turns to the work of gay Trinidadian-Canadian artist and scholar Richard Fung, whose films and essays both proffer underrepresented images of racialized queer sexual subjectivities and grapple with the ways in which queer people of color can themselves become enlisted in racial-sexual hierarchies. Providing geographical and historical context for Toronto's stratified racial and sexual politics as they play out in ordinary life, I point to moments in which Fung's films both decry such inequality and meditate on alternatives that detour from dramas of mis/recognition by whiteness.

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