Abstract
Previous archaeoacoustics work published from the 1980s to the 2000s has suggested that the location of palaeolithic paintings in French caves, such as Le Portel, Niaux, Isturitz, and Arcy-sur-Cureis, are associated with the acoustic response of those locations, particularly with strong low frequency resonances. Recent work done in caves in the Asturian and Cantabrian regions of Northern Spain has shown some evidence of statistical association between paintings dated from the Aurignacian/Gravettian period (cf. 42,000-25,000 BP) and the existence of acoustic responses which exhibit resonant artifacts. The work presented in this paper reports on a further analysis of the data that explores the association in more detail. A number of metrics focused specifically on low frequency response are used as factors to form statistical models that explain the position of paintings within the caves studied. The results of this study further our understanding on how perception of acoustic response might have played a part in modulating the expressive behavior of our ancestors.
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