Abstract
Anchored on Deleuze and Guattari’s Rhizome concept, this postqualitative research puts philosophical concepts to work in the doing of inquiry to produce knowledge differently. It adheres to ontoepistemology where the act of knowing is through performativity. Letting the (un)thought guide the work, I experimented with how materialities in photography are constituted in photographing Cambodia’s Angkor temples. The inquiry yielded a new visual rhizomatic approach in research-creation that disrupts the colonial and stabilizing methods in research. Called Weaving Rhizomes, this approach acknowledges the imbricated relations of humans and non-humans, constantly entangled and (re)produced in the doing-making of research: the becoming of photographer-researcher.
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