Abstract
If experimental literature consistently challenges us to think through the relations between language and the social, how might experimental electronic literature likewise challenge us to think through those relations within the context of the digital in particular? What unique critical purchase might the experimental dimensions of electronic literature provide on the political, and moreover on the politics of the digital? In this paper I pursue these questions through Shelley Jackson's Snow, an ongoing work consisting of images that Jackson has posted to the social media site Instagram since 2014. Each photograph in Snow (of which there are 428 at the time of this writing) documents a single word carved in snow by Jackson; taken together, these words form the beginning of an as-yet-unfinished story, thus far largely comprised of a girl's monologue describing different types of snow.
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