Wearable cameras, in-visible breasts: intimate spatialities of feminist research with wearable camcorders in Istanbul

Abstract

Video-based wearable technology such as actioncams and optical head mount devices lead to various kinds of visualities and interrelations between camera vision, bodily visibility, immersive viewing and public visibility of the body-wearing-the-camera. These interrelations are not neutral and in order to claim wearable visual technology's potential for critical, feminist research, it is essential to problematise the contexts and frictions that precede and/or surface during and after the bodily experience of shooting with a wearable device in a research context. In this article, I problematise the common approaches to video-based wearable research technology by engaging participants' particular ethical, emotional, political positions and embodiment of camera's prosthetic vision during mobile visual research in Istanbul. This work was realised as part of the ongoing study on memories of violence and wellbeing in Istanbul and the specific questions that guide my discussion are: what wearable camcorders as mobile research tool do to bodies; how they co-constitute the norms of visibility, movement and gender of particular bodies and what practices and emotional responses emerge from these intersections. A major aim, therefore, is to situate the camera experience as in physical and social relations of moving, seeing and be seen as gendered bodies in specific (research) settings. Drawing on ‘the embodied nature of all vision’, the article provides a close-up, chest-specific analysis of the implications of doing wearable visual research and presents breast-space as an emergent research site in my Istanbul study.