Abstract

ABSTRACT Autobiography has become an increasingly prominent form of Palestinian literature since the 1980s, giving rise to scholarly discussions about how best to read, interpret, and analyze Palestinian life narratives. Using the memoirs of Palestinian poet Fawaz Turki as an illustrative example, this article challenges a prevailing scholarly view that Palestinian narratives should be read and understood, before all else, as “counterdiscourse” to Zionism. However much this framework illuminates the colonial backdrop and testimonial potential of Palestinian life-writing, it risks flattening Palestinian autobiographies into a single national mold and framing Zionism as the central locus of Palestinian self-expression. Mindful of these dangers, this article draws on the work of David Scott to argue that Palestinian autobiographies can be more fruitfully interpreted as exercises in “critical emplotment” and analyzed as narrative undertakings by which Palestinians creatively (re)interpret their pasts and identities in light of the always-shifting circumstances in which they find themselves.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.