Watching Photographs: Inhabiting a Queer Feminist Perspective to Contest Reproductions of the ‘Refugee Crisis’

Abstract

ABSTRACT Journalists have claimed that the 2015 European ‘refugee crisis’ is one of the most photographed crises in human history. It is important to understand what kind of messages these photographs convey, how they reproduce the hegemonic narrative, and how they become commodities. In this paper, we critique the visual economy of the ‘refugee crisis’ from a queer feminist perspective through the lens of reproduction. We show how the reproduction of images of ‘refugees’ is structured by, and naturalises reproductive heteronormativity, amongst other institutions, which we argue is essential to the functioning of bordered nation-states: the figure of the refugee is reproduced as presumptively heterosexual, and as reproductive. We focus on watching photographic images because, as we have seen over the past six years, through the use and control of photography, states seek to generate consent to the necropolitical management of ‘crisis’, to the undeclared war against refugees. We argue that by watching photographs, as opposed to merely looking at them, we can inhabit a queer feminist perspective that seeks to abolish state-imposed divisions between ‘refugees’, ‘migrants’, and ‘citizens’.