War and Identity: Modernity in Olivia Manning’s The Balkan Trilogy

Abstract

This article analyzes the connection between identity development and the socio-political turmoil of the Balkan war as portrayed in British author Olivia Manning’s The Balkan Trilogy. It explores how Harriet Pringle and Guy Pringle, the protagonists, exemplify the model of modern individual, whose identity and self-perception is in constant flux, reshaped by the chaotic environment of the Balkan war. This analysis is framed within the context of Anthony Giddens’ ideas on modernity particularly highlighting how war accelerates individualization and self reflection. Furthermore, we will explore the dynamics of Guy and Harriet’s relationship using Gidden’s concept of mutually transforming and changing love to understand how their partnership evolves over time. We argue that their relationship serves as a microcosm of intimacy amidst pressures challenging traditional notions of love and commitment in light of personal growth and existential struggles. Finally, we bring together these themes to demonstrate how the The Balkan Trilogy provides a platform for exploring the implications of Giddens’ theory of identity in the late modern period. Taking everthing into consideration, we will show that Manning’s narrative offers insights into the complexities of self identity and relationships in today’s changing and uncertain world particularly in the context of war.