Abstract

The cultural landscape of the town of Copacabana and nearby ancient sites on Lake Titicaca, Bolivia, have functioned as magnetic places of pilgrimage from Inka times to the present. They are analyzed as landscape constructions through the eyes of political and religious authorities as well as through those of the common pilgrims in a bottom-up perspective from Inka to Colonial times and to the present. Methodologies used are study of pertaining archaeological data and Colonial documents complemented by ethnographic interviews and participant observation. The data demonstrate how the past is redefined in the present as local heritage in a landscape perceived as Andean as well as Christian. Throughout Andean history, Copacabana has been the land terminal for pilgrims to set over to the Islands of the Sun and Moon to visit empowered shrines (wak’as) viewed as places of emergence of the Sun and the first humans. This pilgrimage was fabricated into state ideology by the Inka from ca. A.D.1450–1550. After the Spanish invasion, Copacabana became the seat of a widely revered Virgin who attracts pilgrims from all over Bolivia and southern Peru. Ethnographic fieldwork was conducted in early August 2015 and 2017 during one of the pilgrimages. Most visitors identify as pilgrim-tourists and many walk to five spatially distinct but thematically related wak’ as at which the past coalesces with the present and the secular with the divine in passionate and colorful performances for family wellbeing. Discussions center on the limited spatial control of the Catholic Church and on the growing practice of making new wak’as in Andean terms to the Virgin at selected landscape features outside of town as a form of popular heritage. Findings demonstrate that local Aymara people are not passive Colonial victims but selectively adopt from their conquerors what they hope may help alleviate poverty.

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