Abstract
The present study explores the intricate narrative strategy in The Sympathizer by Viet Thanh Nguyen to critique the concept of unjust memory. Through a metatextual approach centered on nested narratives, the novel integrates diverse voices, encompassing American, South Vietnamese, and North Vietnamese characters. Contrasting voices challenge the notion of a singular history, unveiling the multiplicity of narratives. Conflicting voices vie for control over historical memory, aiming to legitimize their actions regardless of their impact on human rights. This study contributes to understanding the intricate dynamics of memory manipulation within historical narratives, shedding light on the multifarious nature of memory’s construction.
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