Abstract
Background Examining press coverage of the Ebola outbreak in West Africa in 2014, this article analyzes the work of the hazmat suit as a visual signifier of disease. Analysis Hazmat imagery from Africa operated to make the disease visible, both “othering” it and contributing to fantasies of containment. In American imagery, the suit became a figure of biosecurity and reassurance, while also connoting the prospect of American “diseaseability.” Conclusion and implications African hazmat imagery reinforced pre-existing schema for understanding Ebola within a news category while American imagery straddled the boundary between the geography of disease fear and the imagined immunological community, potentially destabilizing press narratives of reassurance.
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