Abstract

Amidst the plethora of statues and monuments constructed as part of the post-apartheid monumental project in Pretoria, photographs of anti-colonial and anti-apartheid heroes and heroines are often used to remember and celebrate the contributions they made to the attainment of the new dispensation. Photographs (presented through statues and monuments) are crucial instruments used in conveying messages about these heroes and heroines, and at the same time denouncing issues of injustice and segregation that were the hallmarks of the colonial and apartheid regimes in Pretoria and South Africa. However, while a vast amount of literature has been published on anti-colonial and anti-apartheid monumentalisation in South Africa, not much attention has been given to iconography of the statues as an aspect that could inform research and understanding of how post-apartheid monumentalisation is not a break with the past, but, rather, a continuation of the pre-1994 practices. Drawing from eight photographs taken from the ‘Long March to Freedom’ statues park at the former Groenkloof Nature Reserve in Pretoria, this visual essay highlights the role played by some of these heroes and heroines at their time. The photographs were taken during two months of research conducted at the park from July to August 2016.

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