Abstract

This study aims to examine the Visual Molapi Saronde Dance Dress. The Saronde dance is a typical Gorontalo regional dance that has been inherited and patented as a non-fine heritage. Molapi dance saronde is a dance performed on the engagement night by the groom to see prospective wives. The results of this study are to explain the meaning of the molonde dance clothing starting from materials, clothing colors and motifs as well as the accompanying accessories and explain the meaning of the choreography of the Molapi saronde dance along with creative saronde dance. The approach used in this study is a qualitative descriptive approach. The technique of collecting data is done through observation, interviews, documentation studies and document studies. So, the conclusion of this study is that there is a meaning contained in the molapi saronde dance clothes, one of which is the meaning of headdress, namely Baya lo boute is a special headband for women's hair that gives a symbol, that women who wear it have been bound with a responsibility. As for Saronde dance, it is an innovation from Molapi Saronde dance, but the dance still has meaning or meaning that is maintained and cannot be changed. Although there was a slight change from movement, clothing, and musical accompaniment.

Highlights

  • The saronde dance itself consists of two types of dance, namely the traditional Molapi saronde dance and the classic saronde dance he takes from the Molapi saronde dance itself

  • For traditional Molapi saronde dances, it is only permissible for weddings of descendants of the king or people who are considered to have higher castes, while the classic saronde dance is a molapi saronde dance which is created that can be enjoyed by all Gorontalo people

  • Based on the above background and seen from the present reality many people who do not know much about the forms and meanings that exist in Saronde dance clothing itself, especially the generation, because the development of the use of clothing has begun to develop into more modern. this study examines clothing or costumes from the Saronde dance to find out the meanings of motifs and accessories used in visual forms and explain the choreography of the various movements of traditional Molapi saronde dances and creation of saronde dance to make it easier for Gorontalo people to recognize the regional culture preserved which has become a tradition to this day

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Summary

Introduction

Hamsei clothing has many meanings believed by Gorontalo people to date, for traditional saronde (molapi saronde) dances they use traditional clothes (women), Bo’o takowada'a or Hamsei (Men) to dance. Based on the above background and seen from the present reality many people who do not know much about the forms and meanings that exist in Saronde dance clothing itself, especially the generation, because the development of the use of clothing has begun to develop into more modern. This study examines clothing or costumes from the Saronde dance (molapi saronde) to find out the meanings of motifs and accessories used in visual forms and explain the choreography of the various movements of traditional Molapi saronde dances and creation of saronde dance to make it easier for Gorontalo people to recognize the regional culture preserved which has become a tradition to this day Based on the above background and seen from the present reality many people who do not know much about the forms and meanings that exist in Saronde dance clothing itself, especially the generation, because the development of the use of clothing has begun to develop into more modern. this study examines clothing or costumes from the Saronde dance (molapi saronde) to find out the meanings of motifs and accessories used in visual forms and explain the choreography of the various movements of traditional Molapi saronde dances and creation of saronde dance to make it easier for Gorontalo people to recognize the regional culture preserved which has become a tradition to this day

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