Virginia Woolf and the police: banality, ideology and the scene of interpellation

Abstract

ABSTRACT In Between the Acts, Virginia Woolf exposes a bleak and chilling vision of the police. Bulge, an actor disguised as a policeman, presents his work as a ‘whole-time, white man’s job’ supervising the toil and suffering of the oppressed. The violence of this statement begs the question: what was Woolf’s own attitude towards the police? In this respect, it is possible to find a certain continuity in her fiction. Although they mainly appear as banal, sometimes reassuring, background presences, policemen are also keepers of the social order. Their actions are shown to buttress ideological forces, especially those of patriarchy and Empire. However, this paper argues that Woolf’s understanding of the role of the police in relation with these powers evolved throughout her works – from a mere analogy in Jacob’s Room, to a much more concrete system of rituals and interpellations, resembling those theorised by Louis Althusser and Jean-Jacques Lecercle. Furthermore, this change in style accompanied a change in stance: as she realised the extent of ideological power on individuals, Woolf’s notion of resistance also shifted, from a focus on wandering and personal evasion to a more communal and political approach, which crystallised in a form of artistic ‘counter-interpellation’.