Abstract
Abstract The small oeuvre of Juan Rulfo has triggered myriad interpretations, ranging from a view of the texts as great examples of Latin American magical realism, to a classification of the works as the endpoint of revolutionary literature. The following article investigates the unconventional narrative structure of Rulfo’s texts, which enabled this heterogeneous reception. As will be shown primarily in a close examination of Rulfo’s most famous short story “Luvina”, the Mexican writer’s dominant technique can be described as a continuous combination of ellipsis and recurrence.
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