Abstract

This article examines how the apologetics of the abbé Noël-Antoine Pluche (1688–1761) impacted his presentation of botanical knowledge in the ten dialogues published in the first and second volumes of his natural history book Le Spectacle de la nature (1732–1750). Pluche popularized a conception of the physical world where plants are reducible to inert mechanisms, devoid of life and agency. First, I examine the various intertwinements of science and theology in his depiction of plant anatomy, by investigating his use of mechanical analogies, his adoption of the sap circulation hypothesis, and his application of the pre-existence theory to account for both generation and vegetative multiplication. I then compare Pluche's understanding of plant growth with those offered by contemporaneous gardening treatises, demonstrating that part of Pluche's project included opposing the materialist and animist undertones found in these gardening treatises that emphasized vegetal life, self-organization, and sap agency.

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