Abstract
Humphry Davy was the most celebrated chemist of his day in Britain, but he has been absent from discussions of Romantic-era constructions of race. It is well known that Davy was an experimental chemist, popular lecturer, and, as has been recently explored by the Davy Notebooks Project, a poet; this essay expands this narrative to include his connection to transatlantic slavery and writing about race, which are neglected aspects of his life and writing. In this essay, I examine Davy’s response to the slave-trade debates and for the first time his close family links to transatlantic slavery, focusing on his wife Jane’s stepfather, the major enslaver, Robert Farquhar. I discuss Davy’s writing on the chemical causes of Black skin colour and a draft essay on the climate in notebook 13F in which he constructed the racial difference of Black Africans. I argue that his essay can be understood by recognizing 13F as a school notebook used during his period of self-education and that it reflects the messy and unstable nature of writing about race in the Romantic period. Davy’s racial thinking was influential and he was recognized as an authority on skin colour by his contemporaries, Thomas Beddoes, Johann Friedrich Blumenbach, and Sir Everard Home.
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