Urban Environmental Imaginaries and Aesthetic Sensibilities in Mumbai, India

Abstract

Urban environmental aesthetics form a cornerstone in neoliberal development discourse in Mumbai, India. Formulated primarily on visual metrics, such as those of green lawns and modern architecture, these aesthetic sensibilities set up the horizon of what is seeable and sayable, serving to legitimize planning schemes while obscuring their social and environmental harms. This is evident in the city’s elite Hiranandani Gardens township, a project heavily contested on legal, humanistic, and environmental grounds. Beginning from “waste,” or spaces and perspectives that lack value in dominant discourses, I analyze how the production of developmentalist “value” relies on environmental aesthetics as well as the limits of such formulations. By way of three frames—empty buildings, an abandoned quarry, and remembered wilderness—I illustrate power structures that facilitate the conversion of waste into value, the contradictions and limits in dominant sustainability discourses, and the messy terrain of contestations that they face. The article contributes to critical development scholarship by emphasizing the significance of aesthetics in unveiling power relations entrained in the making of urban landscapes. I also extend creative engagements in geography by incorporating sensory engagements beyond the visual to interrupt dominant aesthetic sensibilities and open critical and creative ways of knowing urban nature.