Abstract
The article describes the peculiarities of Crimean culture of the Soviet period through analyzing the key images and symbolic dominants of the cultural space of Soviet society and cultural landscape of the peninsula. The object of this research is the cultural landscape of Crimea as a system of unique cultural codes of symbolic nature; while the subject is the symbolic dominants of Crimean cultural space, most vivid markers of cultural space and meaningful structures of semiosphere of the Crimean cities. Methodological framework is based on the systematic approach that allows studying urban landscape as a set of interrelate elements, such as architecture, monuments, parks, toponymy, nature as a component of cultural landscape, information and communication specificities of interaction between the center and periphery. Analysis is conducted on the nature of the symbolic dominants of Crimean cultural landscape of the Soviet period based on the semiotic models of R. Barth, Y. Lotman, U. Eco, as well as research of the contemporary authors. It is established that symbolic space of the  Crimean cities reflects the “new cultural construction”, in which priority is given to infrastructural transformations; attempt of the cultural dialogue between the city and rural areas, the center and periphery; changes in the social and ethnic structures; image of the Soviet city is now based on the technics, technology, and man. The author identifies the symbolic dominants that resemble the specifics of the Soviet culture formed in the cities of the peninsula, which defined the novelty of this research. The acquired results reveal the current state of the Soviet text on the culture of Crimean cities as a part of cultural memory of the Crimeans, and can be valuable for determining the specificity and mechanisms of the use of urban space by modern urban community. The images of the “Soviet city” and “Soviet Crimea” depicted in the article can be implemented in the strategies for the development and advancement of territories
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