Abstract

 World-building has thrived as a new field for scholars interested in fantastic fiction since it allows for new insights into how imaginary worlds are actualized other than simply the formal devices that render fantastical worlds different from non-fantastical ones. However, there are things that cannot be told and there are things that should not be told — these are the reaches that much weird fiction likes to explore. In the vocabulary of world-building, we would say that readers are never given access to a fully coherent and consistent imaginary world. The process of Nameless is what I identify as the process of unworlding — when the imaginary world is filled with contradictions and impossibilities and break any attempt at constructing a system or structure.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Imagining the Impossible: International Journal for the Fantastic in Contemporary Media
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
