Abstract

in objective plan. Fantastic fiction is new in Turkish literature. There are some features of fantasy fiction. This is a basic feature that shows that this genre is between real and fictional. In fantastic works, heroes are chosen from daily life and they move to newborns with the change of space. The author communicates the change experienced by heroes to the reader without warning. Transitions to the fantasy world are provided through talismanic objects. The aim of the author is to create a dream world in which the ties from the real world are not completely broken. In the fantastic summer, there is a relationship of three stages in the form of a cyclic relationship to the real world, the fantasy world and the return to the real world. The hero encounters a problem that he cannot overcome in the real world and searches for an escape area. Going into the fantastic world, the hero solves the problem and returns to the real world as a strong character. Another feature of fantastic texts is the instability. The hero cannot make a definite conclusion about the reality of events in the fantastic world. This leads to instability. In the study, baglam Pirate Team “,” Cildiran Kasaba “,” Secrets Team “, telif Atlantis Team av are the works of Mavisel Yener which are selected by simple random sampling. The qualitative research method and the data collection tool were used in the study. In the study, Mavisel Yener's works, which are called fantastic fantasy features; space change, charmed object, travel-escaping and distancing- were taken into consideration in terms of indecisiveness criteria. The Pirate Team adi found that all of the fantastic criteria were found, and that” Crazy Town” Team Secrets Team “and aba Atlantis Team “did not containin indecision olcut. In the fantasy setup of the works of Mavisel Yener, it is seen that the relationship dimension does not structure the relationship between the fantasy world and the real world. In the fantastic setup of the works of Mavisel Yener, we can see that the relationship between the cyclical relationship and the fantasy world-real world is not structured. The aim of this study is to examine the works of Mavisel Yener according to fantasy fiction features and to provide a better understanding of the fantastic fiction which is a new kind in Turkish literature

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