Abstract

ABSTRACT Ecomaternalism remains the dominant narrative concerning the role of families in climate politics. The centrality of ecomaternalist narratives to intersectional constructions of race, gender, heteronormativity, and nature means that interrogating and disrupting these dominant representations of families is a crucial task of ecofeminist, postcolonial, and queer political theory. This article explores other ways to narrate familial politics that might challenge rather than reproduce dominant power relations. Examining three Africanfuturist short stories by Nnedi Okorafor (“Spider the Artist”), Tlotlo Tsamaase (“Virtual Snapshots”), and Terh Agbedeh (“Mango Republic”), set in Nigeria and Botswana, I argue that they draw our attention to transformations within cyborg, digitized, and utopian families and social structures, as well as the potential for violence within the heteronormative patriarchal family. They narrate alternative discourses about families in crisis, families as threat, and families as ruination that are rarely articulated in climate politics. In these stories, the family is not the solution to climate politics, but a social relation that will (and should) change as the climatic and social context changes.

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