Abstract
The article is examines a specifi c aspect of Piotr Mitzner’s linguistic poetry which consists in the presence of conscious slips of the tongue; they reshape the ethnic language into a poetic one and generate neologisms. This feature provides an important key to Mitzner’s poetic idiom. The article locates Mitzner’s poetic strategies in a wide cultural context and thus shows his remarkable (if still unrecognized) erudition.
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