Uncomfortable proximity. Literary technique, authorial provocations and dog whistles in Michel Houellebecq’s fiction

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ABSTRACTIn 2002, following an interview with the magazine Lire where he described Islam as ‘la religion la plus con’, Michel Houellebecq was prosecuted, and eventually acquitted, for ‘injure raciale et incitation à la haine religieuse’. In discussions of Houellebecq’s case, supporters were quick to invoke the ‘special value’ of the literary space for the free discussion of ideas, however provocative or unpalatable. Houellebecq’s acquittal, and support from figures such as Salman Rushdie, have afforded the writer an unprecedented degree of literary freedom. Subsequent novels such as La Possibilité d’une île (2005) and Soumission (2015) show the author fully inhabiting this freedom in order to undertake a provocative critique of Islam. This article explores how both literary technique and authorial presence endorses the controversial ideas of his texts within Houellebecq’s writing and demonstrates how a movement from ambiguously undermining towards reinforcing those ideas can be observed. In particular, the framing of provocative ideas and assertions expounded in his fiction has become less robust throughout his career. This leads to, I suggest, a greater porosity between Houellebecq’s fiction and that of contemporary right-wing essayists such as Alain Finkielkraut and Renaud Camus.