Abstract
Abstract This article considers the epistemic value of Iraqi first-person documentaries of family life, or domestic ethnographies, during the Iraq War (2003–2011). The article analyses Life After the Fall (Abid 2008) and Homeland: Iraq Year Zero (Fahdel 2015), two documentaries about the everyday life of the videomakers’ family members in the advent of the US-led 2003 invasion and shortly after the occupation. The article examines how Iraqi domestic ethnographies dispute and complement dominant (Western) media, filmic and historical discourses of the conflict. I argue that these videos provide a nuanced understanding of the complex social, cultural and historical dynamics of this period, exceeding essentialisms and hegemonic discourses of violence, terror and victimhood. In addition, I demonstrate how this approach facilitates the participation of historically marginalized voices of young female family members, particularly in the representation of the conflict, and situates otherwise unusual discussions around Iraqi women’s rights and gender issues at the core of everyday life in post-invasion Iraq.
Published Version
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