Abstract
que le classique par lequel il dit avoir Ă©tĂ© inspirĂ©. BlĂ©riot et Nora sont Ă des annĂ©eslumi Ăšre des attachants Manon Lescaut et Chevalier Des Grieux. Eastern Connecticut State University MichĂšle Bacholle-BosÌkovic LEDOUX, LUCIE. Un roman grec. MontrĂ©al: Triptyque, 2010. ISBN 978-2-89031-696-6. Pp. 106. $17 Can. The title itself undergoes the most obvious of several major transformations that take place in Lucie Ledouxâs compelling first novel. The story begins in the Montreal neighborhood of Parc-Extension, where young Lucie LabontĂ© lives with her four sisters and their parents. She goes to school, walks to the dĂ©panneur and to the neighborhoodâs ethnic bakeries, sleeps over at friendsâ houses and explores Montreal with her taxi-driving dad. Parc-Extension is still immigrant-rich, the adult narrator reminds us, although it is now heavily Pakistani, Indian, Sri Lankan, and Bangladeshi. However, in the 1960s and 1970s, the neighborhood is predominantly Greek: Lucie enjoys baklava as thoroughly as her own motherâs homemade fruit pies and appears at home using basic Greek expressions outside her house. But she also understands that she is different. âNaĂźtre Ă ParcExtension dans les annĂ©es soixante oblige une petite QuĂ©bĂ©coise Ă un drĂŽle dâapprentissage ,â she writes, âelle doit faire la surprenante expĂ©rience dâĂȘtre Ă©trangĂšre dans son propre paysâ(14). Following a fairly standard roman dâapprentissage format, the novel soon begins hinting at, then careens directly into tragedy. Little Lucie accidently gives her Greek playmate Mary a concussion when playing on the sidewalk, then avoids her thereafter, even though both girls continue to live in the neighborhood. The narrator wraps up the incident darkly, noting that â[j]âallais vivre lĂ un traumatisme si grand que je le porterais en moi pendant trente ansâ (18). We learn that Lucieâs father âentrait parfois dans des colĂšres aussi brusques que foudroyantesâ (26â27) and that the girls and their mother must often, inexplicably, spend the night at their unpleasant grandmother âs house; Lucie loves school but is picked on and not particularly gifted in her studies; as a child she has almost died of meningitis and, feeling much closer to her dad, blames her mother for the near-fatal event: âJe pensais confusĂ©ment que câĂ©tait ma mĂšre qui mâavait transmis le virus mortel quand jâĂ©tais dans son ventre et quâelle mâavait nourrie avec son sang contaminĂ©â (36). Distant and quiet, her mother periodically visits Montrealâs HĂŽtel-Dieu hospital, whose name allows young Lucie to believe it is an actual hotel. Finally, young Lucie realizes her mother is dying of cancer. The title is thus transformedâfrom a simple geography into a clever threeword allusion to both a contemporary literary genre and an ancient one: tragedy. The second half of this short novel chronicles Lucieâs motherâs death, moving eloquently between a chronology of her motherâs decline and Lucieâs own devastation , throughout the illness and well into adulthood. As a novel (or, at 106 pages, arguably a novella), Un roman grec delivers the features one expects from a contemporary novel about coming to terms with childhood tragedy and is thus precisely what its title says it will be. Ledouxâs first-person style achieves a certain power, in spite of the many risks inherent in memoir-like autofiction projects. The novel is not without flaws, of course. Occasional forays into metaphor often 598 FRENCH REVIEW 85.3 work, as in a passage where Lucie views her motherâs cancer with childlike jealousy : â[l]a maladie est sa plus tendre amie [...] ma rivaleâ (70). At times, though, Ledoux delves so deeply into the narratorâs grief that she dwells on details many readers will not find all that significantâlike the fact that her motherâs name, Lise, is a subjunctive form of the verb lire, âune action envisagĂ©e,â whereas her own nickname, Lu, is a past participle, âun mode dit impersonnelâ (90). This connection is not particularly developed. Nor is the sudden appearance, in the novelâs penultimate chapter, of a tripartite, sub-section-like structure, whose parts are...
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.