Abstract
According to an established historiography, post World War II Italian cinema owes much of its international success to the French intellectual milieu. In this process of reception, the work carried out by exiled Italian intellectuals, who were responsible for promoting neo-realism on the other side of the Alps for diplomatic purposes but without neglecting questions of an aesthetic nature, deserves attention. By relating certain aspects of the socio- historical context with the analysis of some critical texts, this article aims to reconstruct some trajectories of reception of neorealist cinema in the Italian-French press between 1945 and 1950.
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