Abstract
“Pixnocchio” has known as the first computer and digital animation in Italy. Created by Guido Vanzetti and Giuseppe Laganà, this short film shows Pinocchio as a digital body in evolution, formed by geometric volumes and colors. Digital animation allows to create a peculiar style combining traditional technique and computer technology: in this way “Pixnocchio” is nothing more than a hybrid animated film, that fits into the Italian videoartistic context of early ’80. The digital body of “Pixnocchio” seems like the new artistic representation of the contempo- rary italianity.
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