Typographica: The medium and the medieval-to-modern transformation

Abstract

There is an emerging consensus among a growing body of scholars that the present era is one in which fundamental change is occurring. Among International Relations theorists, for example, John Ruggie has argued that we are witnessing ‘a shift not in the play of power politics but of the stage on which that play is performed’. Similarly, James Rosenau contends that the present era constitutes a historical break leading to a ‘postinternational politics’, while Mark Zacher has traced the ‘decaying pillars of the Westphalian Temple’. This belief in epochal change is mirrored outside of the mainstream of International Relations theory in, for example, pronouncements of the emergence of ‘the information age’, ‘post-industrialism’, ‘post-Fordism’, or, more generally, ‘postmodernism’. While these analyses differ widely in terms of their foci and theoretical concerns, there is at least one common thread running through each of them: the recognition that current transformations are deeply intertwined with developments in communications technologies, popularly known as the ‘information revolution’.