Abstract
This article examines the contemporary politics of commemoration through analysis of the public life of two statues of Walt Whitman in South Philadelphia. Sited near a highway on-ramp and the entrance to a shopping plaza, the monuments to Whitman accompanied and celebrated significant urban spatial transformations in the mid- to late-twentieth century. At the same time, they commemorate battles over neighborhood identity and Whitman’s legacy. In recent years, local conflicts over Whitman’s legacy have been revived in activism to remove a statue of the poet in neighboring Camden, New Jersey. But, in South Philadelphia, debates about the future of public monuments have largely ignored both representations of Whitman. As I trace the lives of both statues, I argue that the quiet persistence of the two South PhiladelphiaWhitmans illustrates the complex political power of public artworks occupying awkward spatial and social positions.
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