Abstract
The interview touches on five projects in sculpture parks from 2003 to 2022 that range from a modest waterfront urban city-owned plot to an exquisitely cultivated sprawling mountainous family-run grounds. Through one artist's approach to distinct ecologies, histories, and audiences of the sculpture parks, several shared features come into relief: the importance of care, decolonial imperatives, and a reevaluation of material and social resources.
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