Abstract

Abstract From the Renaissance until the mid-eighteenth century, gardening in Denmark was formal without the slightest hint of landscaping. As late as 1760, the French architect Nicolas-Henri Jardin produced a garden design for the king's most beloved summer residence, Fredensborg, which was purely à la française. But in 1762 the sculptor Johannes Wiedewelt presented to the king 37 magnificent drawings for decorations and sculptures for that garden. The drawings were meant as a fulfilment of the royal bursary, which had supported Wiedewelt's 8½ years of study in Paris and Rome, but they were also a catalogue of ideas for the embellishment of the new garden Jardin was about to realize.1

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