Twenty years of clients for religious architectures

Abstract

The contribution proposes a reflection on the relationship between the client, the architect and the various actors involved in the planning, design and construction of new churches, focusing on the Italian context in the last twenty years, and asking who can be considered the actual client for religious buildings. The selected time frame underlines a season characterised by different experimentation approaches for architectural competitions promoted, facilitated or supported by the Italian Episcopal Conference (CEI), starting from the experience of the Pilot Projects, passing through the Diocesan Paths, up to the most recent Participatory Processes, aimed at reducing the gap between Church client, user’s requests, and architectural projects. Such processes involve a large panel of actors, including the National and Diocesan bodies, local interlocutors, and the design teams, made up of various professionals. The study aims to investigate such recent procedures, to provide an analytical look at the maturing of the processes and to the identification of the collective client.