El párroco, el arquitecto extranjero y el tobogán

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Abstract
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The church of Santa Maria de Sales, in Viladecans (Barcelona, 1962-67), is an atypical building in many ways. Popularly known as ‘the slide church’, it is one of the first temples conceived in an openly brutalist manner in Spain, as well as one of the few sacred works by a Germanic architect in our country. But despite its uniqueness, it is a virtually unknown building. The Austrian Robert Kramreiter was, at the time, a specialist in religious architecture. He had initially designed this church for a summer resort near the sea, but the cancellation of the commission led the parish priest to decide to take advantage of the project in a new location inland. From then on, the clergy became the main promoter of its construction, fighting against all the obstacles economic, technical, regulatory, etc. that crossed his path. Taking as a starting point a small publication by a local journalist on the occasion of its half-century of history, this paper highlights the heroic role that the client sometimes has to play in order to achieve an excellent result.

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